Abdellatif Laabi, “la chair vive du poème”: reading “race” through Fanon

2021-1-1

De immundo: Georges Batailles gnostic existentialism

2019-1-1

Richard Wright as educator: The progressive structure of Simone de beauvoir's account of racial hatred in the United States

2019-1-1

Imagining the first French empire: Bande dessinée and the Atlantic

2017-6-27

Travelling arriere et circulaire: Jorge Semprun's Script Writing

2016-1-1

Censorship of visual culture in France, 18 15-1852

2012-1-1

Irene Nemirovsky and the 'Jewish Question' in Interwar France

2012-1-1

Lévi-Strauss: What Legacy?

2012-1-1

Of Cones and Pyramids: Deleuzian Film Theory and Historical Memory

2010-11-1

Cléo's Masks: Regimes of Objectification in the French New Wave

2010-1-1

The Third Closet: Sollers's War

2009-12-1

French Women Directors Negotiating Transnational Identities

2009-1-1

"Seeing and listening from the site of trauma": The Algerian War in Contemporary French Cinema

2009-1-1

Sex and the Single Male: Houellebecq, Feminism, and Hegemonic Masculinity

2009-1-1

Against the Grain: Michea's Radical Philosophy and Its Discontents

2009-1-1

Moroseness in post-cold-war France

2009-1-1

“For All to See": Yvan Alagbé’s 'Nègres jaunes' and the representation of the contemporary social crisis in the Banlieue

2008-12-1

Tanguy Viel : From Word to Image

2008-1-1

Closed Up and Close(-)Up : Jean Rouaud's Books of Revelation

2008-1-1

The Founding and Recasting of French as a Discipline

2008-1-1

Editor's preface: Writing and the image today

2008-1-1

From book to page to screen:Poetry and new media

2008-1-1

Traces: Writing the Visual in Daewoo by Francois Bon

2008-1-1

The Revolution Will Be Televised, or Didier Daeninckx's Cathode Fictions

2008-1-1

Is there a specifically Francophone African stage textuality

2007-1-1

Fashoda, Dreyfus, and the myth of Jean-Baptiste Marchand

2007-1-1

Voix/Voie/Vie: The Voice in Contemporary French Theater

2007-1-1

Antihumanism and terror: Surrealism, theory, and the postwar left

2006-1-1

Vision and the Portrait of Jean le Bon

2006-1-1

Punk "Noir": Anarchy in Two Idioms

2005-1-1

Oedipus as Detective: Sophocles, Simenon, Robbe-Grillet

2005-1-1

Technologies of Speed, Technologies of Crime

2005-1-1

Mayhem at the Crossroads: Francophone African Fiction and the Rise of the Crime Novel

2005-1-1

Traveling Detectives: The "Logic of Arrest" and the Pleasures of (Avoiding) the Real

2005-1-1

Haitian Creole at the Dawn of Independence

2005-1-1

From the Kidnapping(s) of the Louvertures to the Alleged Kidnapping of Aristide: Legacies of Slavery in the Post/Colonial World

2005-1-1

The Idea of 1804

2005-1-1

Editors' Preface: Crime Fictions

2005-1-1

The First of the (Black) Memorialists: Toussaint Louverture

2005-1-1

Haiti and Abolitionism in 1825: The Example of Sophie Doin

2005-1-1

Borrowed Settings: Frenchness in Anglo-American Detective Fiction

2005-1-1

Criminal Investigators at the Fin-de-siecle

2005-1-1

Lynx-Eyed Detectives and Shadow Bandits: Visuality and Eclipse in French Detective Stories and Films before WWI

2005-1-1

"Monotonies of History": Baron de Vastey and the Mulatto Legend of Derek Walcott's "Haitian Trilogy"

2005-1-1

Curiosity's Killer Instinct: Bibliophilia and the Myth of the Rational Detective

2005-1-1

Into the Woods: The Contemporary "Roman Noir" as Modern Fairy Tale

2005-1-1

Reflections on Crime and Punishment: Memories of the Holocaust in Recent French Crime Fiction

2005-1-1

Editor's Preface: Nineteenth-Century "postcolonialités" at the Bicentennial of the Haitian Independence

2005-1-1

Forget Haiti: Baron Roger and the New Africa

2005-1-1

Criminal Factors: "Fantomas", Anthropometrics, and the Numerical Fictions of Modern Criminal Identity

2005-1-1