Poznanskie Studia Slawistyczne

The paper is an introduction to teaching the Polish language and culture to native users of closely related languages. The presented synthesis is intended for teachers interested in improving their competence in teaching Polish to East Slavs and those who have just started their adventure in Slavic glottodidactics. The paper grew out of a desire to make teaching Polish to East Slavs (mainly Ukrainans) as effective as possible due to the rapidly increasing need because of a large number of war refugees from Ukraine. Based on their experience in teaching Polish to native users of East Slavic languages, the authors pay particular attention to the Slavic intercomprehension phenomenon and its influence on the glottodidactic process. They also address the problem of the key grammatical mismatches and introduce several good practices.

Wojciech Hofmański

Karolina Pospiszil-Hofmańska

Poznańskie Studia Slawistyczne

Interkomprehensja – interferencja – integracja. Polszczyzna w perspektywie nauczania użytkowników języków wschodniosłowiańskich

交际理解 – 干扰 – 整合。波兰语在教授东斯拉夫语言使用者中的视角

The article is devoted to a reflection on the category of time in Georgi Gospodinov’s novel Vremeubežiŝte (2020), where the author undertakes a reflection on the processes of culpable and non-culpable self-destruction of societies that have rejected the rules of Enlightenment rationalism. Using the tools of dystopia, he creates a world gripped by collective madness, the sources of which he derives from extra-literary reality and links to contemporary political and cultural processes. Leszek Kolakowski’s concept of time as the vault of the human home, which is based on four pillars: reason, God, love, death, remains the philosophical point of reference for my deliberations. In turn, the concept of retroutopia of the sociologist of culture Zygmunt Bauman provided me with tools to reflect on a new type of rationalism after the conservative turn. René Girard’s concept of mimetic competition was helpful in considering the structure of the world presented in the novel.

Grażyna Szwat-Gyłybowa

Georgiego Gospodinowa zmagania z kategorią czasu w dobie kryzysu

乔治娅·戈斯波迪诺娃在危机时代与时间范畴的斗争

Traditionally, the basic qualities of imagology are associated with its key category—the literary ethnic character. A special field of imagological improvisations is the Serbian novel, which, according to well-known national experience and specific genre features, is favorable for ethnic panoramic imagological reactions, especially when it comes to the mid-20th – early 21st century. The aimof the research is to single out in chronological supposition the poetics of the literary presentation of the phenomenon of Ukraine in the Serbian novelistic discourse at the turn of the millennium. The research is based on comparative, comparative-typological, imagological methods in combination with approaches of structural-semantic and archetypal analysis. In the stated imagological perspective, the novels by I. Andrić, M. Crnjanski, M. Oljača, M. Selimović, G. Petrović, M. Prodanović and М. Pavić are analyzed. The works highlight semantic accents that emphasize the positive imagological view of Ukraine from its foreign ethnic reception, formed in genetically related – Serbian – literature, the tolerance of the Serbian people in creating subjective ethnic panoramas, indispensable for the evolutionary enrichment of intercultural communication based on epistemological heritage.

Наталија Л. Билик

Лик Украјине у српском роману друге половине 20 – почетка 21. века

20世纪下半叶至21世纪初塞尔维亚小说中的乌克兰形象

The author of the present study tries to answer the question from the title about the contemporary state and the future of Slavonic literary studies in connection with other disciplines, e.g., comparative and genre studies, their crises and shifts of methodological emphases. According to the author, the future perspectives of Slavonic studies are associated with the relatively constant entity of the subject, the Slavonic phenomenon or the Slavonic world as marking or delimiting the boundaries of Slavonic studies as an independent or autonomous discipline, and with their open or semi-open character in the philological framework, dynamicborders and transcending towards the cultural-area concept without losing their philological kernel.

Ivo Pospíšil

The Slavonic Literary Studies at the Crossroads: Redefining, or Preserving?

斯拉夫文学研究在十字路口：重新定义，还是保持原状？

The article describes two accounts of Poland and the culture of its people. The first of these dates from 1784 and was written by the Marquis de Ségur, a French diplomat travelling to St Petersburg. The second, from 1840, was written by the Polish poet Adam Mickiewicz, at the time working as a professor at the Collège de France in Paris. I try to show the most important differences between the Enlightenment and Romantic images of Poland. An important context is provided by Larry Wolff’s monograph, which 30 years ago initiated a new phase in research on the European invention of Eastern Europe.

Maciej Junkiert

Easternisation and Enlightenment. Larry Wolff, Marquis de Ségur and the Younger Europe

东方化与启蒙。拉里·沃尔夫，塞居尔侯爵与年轻的欧洲

The article addresses the issue of translator’s notes in a Russian translation of Olga Tokarczuk’s “Bieguni” novel by Irina Adelʹgejm. The main text of the original, despite its abundance in borrowings, interjections and quotations in languages other than Polish, was not provided with explanatory notes by the author. The translator, however, provided the translation with 149 notes. They are notesexplaining terms, proper names, names of realities and others translated in the main text as well as notes explaining fragments formulated in the novel’s text in languages other than the language of the narration. On the basis of the undertaken analysis it is stated that the strategy of forming paratexts adopted by the translator is inconsistent. The secondary text designates an additional way of reading “Bieguni” novel, but it does not impose it as using the notes is just a possibility and depends on the reader’s choice.

Mirosława Hordy

Translator’s Notes in a Russian Translation of Olga Tokarczuk’s Bieguni Novel

俄译奥尔加·托卡尔丘克《云游》小说中的译者注释

In the broadest sense, the paper is a discussion of Vesna Parun’s love poetry. The basic idea is that, on the one hand, it adheres to the romantic understanding of literature as a representation of the deepest personal feelings, universal truths, and essential values and, on the other hand, that it acts as a confirmation that the experience of love is fundamentally literary, and that literature is a form of unbridled love for linguistic seduction. For this reason, the author’s love poetry is not approached as a representation of her private life, love feelings, or relationships, but as a complex relationship between figurative language and a romanticized idea of love. In other words, it is interpreted as a discourse or rhetorical event that simultaneously constructs and deconstructs concepts such as authentic experience, sincere sensitivity, primordial love, or stable identity, and provides an opportunity to raise important ethical and political questions in the face of its ambivalence.

Tvrtko Vuković

Love, Be a Poem. The Rhetoric of Seduction in the Love Poetry of Vesna Parun

爱，化作诗篇：韦斯娜·帕伦爱情诗中的诱惑修辞

The author of the article focuses on introducing and interpreting the dispute over Slavic philosophy that took place in the 1840s in Slovak magazines (between J.M. Hurban, C. Zoch and P.Kellner-Hostinský). This dispute is an important testimony of the era, it concerned the fundamental issues of the time: the identity of Slovak culture, its philosophical background, its place and role in the Slavic world, its attitude to tradition. The author of the article focused primarily on two aspects of the “slovanská veda” project: the relation to German philosophy and the key cognitive category “viďeňja.” The author also points to the role that this dispute played in shaping the model of Slovak culture. Since the Slovak Romantic literary discourse has recently been enriched by many new revisions, the author also briefly refers, sometimes polemically, to the latest research.

Joanna Goszczyńska

Filozofia słowiańska w myśli filozoficznej słowackich romantyków – z polskimi śladami w tle

斯拉夫哲学在斯洛伐克浪漫主义哲学思想中的体现——背景中的波兰痕迹

In this paper I analyze one of the first collections of poems for children in the SCBM language, Niz dragocijenoga bisera ili Duhovne i moralne pjesme za djecu by Jovan Sundečić (Zadar 1856, Cetinje 1865). Although many have stated that it is one of the first original publications intended for children and young readers of the South Slavic area, there has been no detailed analysis of it until now. In the introductory part of the paper, I will look at the circumstances which led to creation of literature for children and young people, in the central part, through the analysis of Sundečić’s book, I will show why Romanticism in children’s literature inevitably intertwined with Enlightenment, and I will try to illuminate the socio-historical circumstances that led to the reprint. In the conclusion, I make an evaluation of the book from the viewpoint of Romanticism, as the period in which it was created, as well as the contemporary moment, which tends to mark the timeless literary qualities.

Svetlana Kalezić-Radonjić

„Romantičarska“ slika djetinjstva u stvaralaštvu Jovana Sundečića

约万·松德契奇创作中“浪漫主义”的童年形象

In 1853, Karel Jaromír Erben published a collection of ballads Kytice, which was immediately seen as a model of national literature. The contact of this model with Romanticism is only selective, because it does not consider all the metaphysical dilemmas resulting from the appreciation of the individualistic attitude to the world. It might seem that Kytice should share the fate of other 19th century texts of culture which are currently attributed the position of a respectable, old fashioned literary monument. Meanwhile, in recent years, two novels have been published directly drawing inspiration and thematic material from the life of the poet, namely: Vřeteno osudu. Tajná zpověď by Karel Jaromír Erben by Otomar Dvořák (2015) and Stará škola by Petr K. Procházka (2022). Both literary biographies expose the close, though hidden, connections between Erben’s poetics and worldview with the Romantic aesthetic and ideological context.

Publication Information	Publisher: Adam Mickiewicz University Press，Publishing cycle: ，Journal Type: journal，Open Access Journals: No
Basic data	Year of publication: 2019，Proportion of original research papers: ，Self Citation Rate:， Gold OA Rate:

Poznanskie Studia Slawistyczne

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