Etudes Photographiques

L’auteur tient a remercier pour leur ecoute et leur disponibilite, les conservateurs, documentalistes et appariteurs des Archives et de la Bibliotheque de l’Academie des sciences, ainsi que M. Serge Benoit, de la Societe d’encouragement pour l’industrie nationale. Fig. 1. A. Londe, volatile radiographie, aristotype, 30 x 24, v. 1897, coll. ASOAL.  « Au point de vue pratique rien n’est plus simple que de repeter les experiences de Rontgen et c’est cette simplicite apparente qui a provoque le...

Denis Bernard

Études photographiques/Etudes photographiques

L'image des rayons X et la photographie

X射线影像与摄影

Entreprise dynamique et volontaire, suscitant rapidement l'interet - savamment orchestre - des professionnels de la photographie et du paysage, la Mission photographique de la Delegation a l'amenagement du territoire et a l'action regionale (Datar) a laisse derriere elle des milliers de tirages contacts, deux mille epreuves, partiellement accessibles sur les postes numerises de la Bibliotheque nationale de France, ainsi que deux livres rapidement epuises, Paysages photographies1. La place de la

Vincent Guigueno

La France vue du sol

从地面看法国

L’auteur tient a remercier Philippe Dagen, Paul-Louis Roubert, Thierry Gervais et Gaelle Morel pour leur aimable concours. Une spirale de pierre vue du ciel, s’enroulant majestueusement sur elle-meme au milieu d’une eau rougeâtre : qui, s’aventurant dans un ouvrage dedie a l’art contemporain, n’a pas rencontre cette celebre photographie de Spiral Jetty ?Cette œuvre concue en 1970 dans les eaux du Grand Lac sale de l’Utah –qui l’engloutirent entre 1972 et 2002– est indeniablement la plus cele...

Katia Schneller

Sous l'emprise de l'instamatic : Photographie et contre-modernisme dans la pratique artistique de Robert Smithson

在即时摄影的掌控下：罗伯特·史密森艺术实践中摄影与反现代主义

Pour illustrer l’importance de l’edition dans l’histoire de la photographie, l’Allemagne des annees 1920 peut constituer un bel exemple, tant l’imprime joue un role majeur dans l’avenement de la Nouvelle Photographie. De Laszlo Moholy-Nagy a Albert Renger-Patzsch, d’Helmar Lerski a Moi Ver, nombre de ses representants les plus eminents ont vu dans le livre la forme privilegiee pour diffuser leur œuvre, pendant que d’autres, plus nombreux encore, l’ont trouvee dans la presse. Or, ces publicati...

Olivier Lugon

La photographie des typographes

印刷工的摄影

Larisa Dryansky

Le Musée George Eastman : Une autre photographie américaine ?

乔治·伊斯曼博物馆：另一种美国摄影？

Nuno Resende

Da exposição Bernardino Pires O fotógrafo e a cidade 26-03 a 30-04-2022 | espaço mira, porto. do livro A Cidade do Porto na Obra do Fotógrafo Bernardino Pires edição da in-libris | 2022.

伯纳迪诺·皮雷斯摄影展：摄影师与城市 2022年3月26日至4月30日 | 米拉空间，波尔图。《波尔图城在伯纳迪诺·皮雷斯摄影作品中的呈现》由in-libris出版社2022年出版。

Gender studies are, in the historiography of art in Portugal, incipient and, as far as the History of Photography is concerned, still embrionary. However, several names of women who dedicated themselves to photography as amateurs are already known, many of them associated to their father, brothers or husband, following a similar tradition of female contribution to the artistic world, before the 19th century. Professional Portuguese photographer, self-designated the first, the name of Maria Reya Campos is known, operating in the south of Portugal. The circumstance of having identified, in 2019, a carte-de-visite with the label ANNA MAGALHÃES RODRIGUES, opened a new path for the study of the life and path of a woman-photographer working alone in the Portuguese countryside, in the early years of the 20th century. Based on written historical sources, photographs and a set of illustrated postcards, we developed some interpretations about her formation and trade.

Ana Magalhães Rodrigues (1869-1937): A Descoberta de Uma Fotógrafa Portuguesa.

安娜·马加良斯·罗德里格斯 (1869-1937): 一位葡萄牙女摄影师的发现。

Pictures on strings or wires are reminiscent of the drying process of proofs after the developing bath. Literatura de cordel, as so called in Portuguese because it featured small books hanging from strings (cordéis), was also one of the first processes to vulgarise writing and the image. Before photography, the image was already circulating, whether through sculptures, paintings or engravings, but its invention allowed for a faster and more comprehensive dissemination of the repre- sentation of things in a network (or, if you like, through strings), of those things that make up the vocabulary of so-called Visual Culture. Photographs that dialogue with other photographs, with texts, with their reproductions and copies and with photographic and filmic images are part of a contemporary language. With this in mind, we propose looking at a series of works of travel literature whose authors travelled to Portugal in the 20th century and who, in addition to the text, presented, represented and conveyed the country through photographs. Questioning the authorial as- pects of their production, the reasons (propagandistic, commercial, literary?) for their choice in each work and relating them be- tween works, we present some reflections and hypotheses to understand the use of photo- graphy in travel literature: whether it complements the text, or is a separate narrative. To do this, we used a sample of 10 works and 350 printed images between 1909 and 1960

Photos on Strings? A Fotografia na Literatura de Viagens Sobre Portugal (1900-1960)

串起的照片？1900-1960年间葡萄牙旅行文学中的摄影

Nota de abertura

开幕词

From Total Rejection to Fatal Attraction: The Strange Case of Mugshots in Science, Philosophy and Art.The ways science, philosophy and art have dealt for almost two hundred years with ‘mugshots’ (American designation nowadays globally used for judiciary portraits with criminal identification purposes) are often paradoxical and/or deeply emotional and extreme, ranging from total rejection or absolute oblivion to strong fascination and almost fatal attraction. This paper starts by retrospectively identifying and shortly analysing the main approaches of science to mugshots (especially anthropology, criminology and medicine) since their advent in the second half of the 19th century, simultaneously focusing on the evolution of the historical, political and social contexts of this approach until contemporary times. The referred evolution is then used to approach the second scrutinized sector, i. e. analysing (the role of) mugshots in philosophical terms and as bio-political instruments of power in the same period Finally yet importantly, the article emphasizes the way the ‘mugshots theme’ eventually fascinated major artists in the 20th and 21st centuries and how its dissemination and popularity exponentially grew through the 20th and 21st century media explosion, namely TV and social networks.

Leonor Sá

Da Rejeição Total à Atração Fatal: O Estranho Caso do Retrato Judiciário (‘Mugshot’) nos Setores da Ciência, da Filosofia e da Arte

从彻底拒绝到致命吸引：科学、哲学与艺术领域中的司法肖像（“嫌犯照片”）之奇异案例

Publication Information	Publisher: Societe Francaise de Photographie，Publishing cycle: ，Journal Type: journal，Open Access Journals: No
Basic data	Year of publication: 2014，Proportion of original research papers: 0.00%，Self Citation Rate:N.A.， Gold OA Rate: 0.00%
Average review cycle	网友分享经验：24 Weeks

Etudes Photographiques

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